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Babylon 5 Rewatch: “The Ragged Edge”

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Babylon 5 Rewatch: “The Ragged Edge”

Garibaldi's alcohol problem complicates an investigation, and G'Kar is surprised to find himself a revered religious figure...

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Published on May 18, 2026

Credit: Warner Bros. Television

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Garibaldi raises a glass in Babylon 5 "The Ragged Edge"

Credit: Warner Bros. Television

“The Ragged Edge”
Written by J. Michael Staczynski
Directed by John Copeland
Season 5, Episode 12
Production episode 513
Original air date: April 8, 1998

It was the dawn of the third age… Sheridan is furiously signing copies of treaties for the member worlds of the IA. Unfortunately, the conference room is empty: the representatives of the IA member worlds are boycotting all meetings until their shipping lines’ security can be guaranteed.

We cut to an Earth ship, Red Star 9, which is being attacked and destroyed, but a lifepod ejects with the pilot.

Mollari and G’Kar return from Centauri Prime. G’Kar is confused as to why he’s receiving so much positive attention from his fellow Narns. They are bowing to him and treating him with an impressive reverence. Ta’Lon is awaiting him at his cabin, and he explains what’s going on as they catch up: concern over his traveling to Centauri Prime led to Narns on the station breaking into his quarters and taking possession of his (unfinished) book. And then someone—Ta’Lon isn’t sure who—had it printed. The Book of G’Kar has become a major bestseller on Narn, outstripping even The Book of G’Quan. G’Kar is mortified, both because it was done without his permission and because the book isn’t even finished yet.

Garibaldi is awakened out of a sound sleep by Allan, who wants to know why he hasn’t shown up for their meeting. Garibaldi says he slept through his alarm, though the empty booze bottle next to his bed indicates another reason.

The Rangers found the wreckage of Red Star 9, including that a lifepod is missing, which means the possibility of a witness to these attacks for the first time. However, the ship is believed to have been smuggling illegal goods for the Drazi, so neither Earth nor Drazi are likely to help with the investigation. Garibaldi, however, has a contact on the Drazi homeworld who can probably help. Sheridan authorizes him to head there, and says to take Franklin with him as backup. Garibaldi, however, says that his contact only knows Garibaldi—if someone he doesn’t know is with him, the whole thing will go sideways. So Garibaldi goes alone, after reassuring Franklin that this isn’t personal, they’re both still good friends, it’s purely a professional issue with the contact.

G’Kar, accompanied by an unwelcome entourage of Narn fangoobers, meets with Mollari in the Zocalo. The latter is highly amused by G’Kar’s new status as a celebrity.

G'Kar and Mollari meet at the bar in Babylon 5 "The Ragged Edge"
Credit: Warner Bros. Television

Garibaldi arrives on Drazi and meets his contact, Tafiq Azir, at his hotel room. They seem to be old friends, and there is absolutely nothing in his demeanor that indicates that he’d have a problem with Franklin coming along for the ride. Azir says the pilot is in hiding and being sought out by the Drazi government, but Azir can set up a meet. He and Garibaldi share a drink or twelve. Garibaldi passes out, and Azir goes off to set up the meet. However, he’s shot right outside the door to Garibaldi’s room. Garibaldi wakes up slowly, and wonders where Azir is. He goes out into the hall to see a Drazi standing over Azir. They get into a fight, and Garibaldi tosses the Drazi over the balcony to fall to his death on the street. He then checks on Azir, who dies in Garibaldi’s arms. Going downstairs to meet with the pilot, Garibaldi is instead attacked by a group of hooded people, who have already killed the pilot. The Drazi authorities show up and the hooded figures beat a hasty retreat—as does a badly bruised Garibaldi, who manages to get a signal to B5 and asks Delenn to send a White Star to pick him up.

Ta’Lon talks G’Kar into speaking to the fangoobers who are assembled outside his quarters. G’Kar himself has no desire to lead or to teach, but Ta’Lon believes he has important things to convey to his fellow Narns. G’Kar reluctantly agrees and invites the fangoobers into his quarters. One of the things G’Kar says is that Narn must move past their distrust of other species. A fangoober points out that, early in the book, G’Kar says that the Centauri can’t be trusted and that Narns can only trust themselves. G’Kar points out that that was early in the book, and time has changed that particular occasion. (This is what happens when people publish first drafts…) G’Kar demonstrates why fundamentalism toward his text is a bad idea, as he tells the fangoober to put his face directly into the book—and then G’Kar closes the book violently on his nose, by way of demonstrating that implicitly trusting all Narns isn’t what should be read from that text.

Garibaldi reports to Sheridan, Delenn, Franklin, and G’Kar about what happened on Drazi. He got a small gold disc off one of his attackers, but he doesn’t recognize it. He does know that the ones who attacked him weren’t Drazi, and they were waiting for Garibaldi specifically. They have a leak.

Mollari finally shows up, apologizing for being late, and also recognizes the disc as being a button that is worn by Centauri palace guards. When Mollari asks where Garibaldi got it, he lies and says he got it from a vendor in the Zocalo. Mollari says he got ripped off, as it’s not actually worth anything. Everyone else plays along, and once Mollari is no longer in the room, G’Kar informs them of the attempt on Mollari’s life back on Centauri Prime. If he knows that his people have betrayed the IA, it could endanger his life.

Franklin meets with Sheridan saying he’s been given a job offer. Dr. Kyle—who had Franklin’s job on B5 before he was transferred to Earth—is retiring as head of Xenobiological Research and wishes Franklin to replace him. Franklin has agreed, especially this will make it easier for him to catalogue the medical data for all IA worlds.

We close with Garibaldi passed out drunk in bed.

Get the hell out of our galaxy! Sheridan laments that nobody told him how much of the job of president would involve paperwork.

President Sheridan in Babylon 5 "The Ragged Edge"
Credit: Warner Bros. Television

The household god of frustration. Garibaldi’s alcoholism is directly responsible for his friend’s death.

If you value your lives, be somewhere else. Delenn works primarily as Ranger One here, collecting their report on the destruction of Red Star 9 and rescuing Garibaldi from Drazi.

In the glorious days of the Centauri Republic… Mollari laments that he used to look forward to returning home to Centauri Prime and dread going to B5, and now it’s the other way around.

Though it take a thousand years, we will be free. G’Kar is now a bestselling author and unwilling celebrity authority figure, complete with devoted fan base.

We live for the one, we die for the one. The Rangers are the ones who find Red Star 9’s wreckage, thus setting the entire plot in motion.

Welcome aboard. Back from “Point of No Return” is Marshall Teague as Ta’Lon; he’ll be back in “Objects at Rest.” John Castellanos plays Azir while Mirron E. Willis plays the pilot.

Trivial matters. Kyle appeared in “The Gathering,” and was transferred to Earth some time between then and “Midnight on the Firing Line.” While the pilot movie was his only appearance, he’s been mentioned a few times since.

Ta’Lon references the speech he gave to G’Kar to convince him to stay on B5 in “A Day in the Strife.” Mollari was almost assassinated on Centauri Prime in “In the Kingdom of the Blind.”

G’Kar started writing his book in “Messages from Earth” when he was in the brig after assaulting Vir and Mollari in “Dust to Dust” and learning that Mollari has been working with Morden and his “associates.” Not surprising, therefore, that the early part of the book includes passages about not trusting the Centauri…

The echoes of all of our conversations.

“I worry, Ta’Lon, that my shadow may become greater than the message.”

“If that happens, I give you my word that I will personally kill you.”

“And this is supposed to put my mind at ease?”

—G’Kar worried about the future, and Ta’Lon not helping.

Garibaldi looks over Azir in Babylon 5 "The Ragged Edge"
Credit: Warner Bros. Television

The name of the place is Babylon 5. “As Mr. Garibaldi says, I think I’ll wait for the movie.” It’s weird, there’s nothing I can point to in this episode and say, “This is bad.” Indeed, there’s a lot of good here, from the serious damage being done by Garibaldi’s alcoholism to G’Kar dealing with his newly acquired fan base. But I’m also having a hard time dredging up any enthusiasm for the episode.

Having said that, the episode is definitely well written. I particularly like the way Garibaldi is handling his alcoholism—or, rather, not handling it, but ignoring it and hoping it will go away. He also very carefully keeps Franklin at arm’s length. His excuse that Azir would balk at a person he doesn’t know being there sounds completely convincing, but it’s also total bullshit. (Credit to John Castellanos, by the way, who does an excellent job as Azir.) Garibaldi doesn’t want Franklin, a fellow addict and also a physician, to get too close for fear that Franklin will recognize that he’s fallen off the wagon the way Garibaldi saw that Franklin had succumbed to stim addiction in the past.

Watching G’Kar get groupies is a delight. It’s also good to see Marshall Teague back as Ta’Lon and dispensing wisdom as he has in prior appearances. Ta’Lon’s one of those characters I wish we’d seen more of, but what we have seen has been excellent.

And the Centauri plot moves forward, as our heroes finally learn who’s responsible for the attacks on IA ships.

Still, the episode feels like inconsequential filler, even though it’s nothing like that at all. I had high hopes that things would feel better once the Byron story had come to a merciful end and stopped sucking all the air out of the show. Maybe it’s the direction from John Copeland; it’s only his second time ever in the director’s chair, following the similarly lackluster “Endgame.”

Next week: “The Corps is Mother, the Corps is Father.” icon-paragraph-end

About the Author

Keith R.A. DeCandido

Author

Keith R.A. DeCandido has been writing about popular culture for this site since 2011, primarily but not exclusively writing about Star Trek and screen adaptations of superhero comics. He is also the author of more than 60 novels, more than 100 short stories, and more than 70 comic books, both in a variety of licensed universes from Alien to Zorro, as well as in worlds of his own creation, most notably the new Supernatural Crimes Unit series debuting in the fall of 2025. Read his blog, or follow him all over the Internet: Facebook, The Site Formerly Known As Twitter, Instagram, Threads, Blue Sky, YouTube, Patreon, and TikTok.
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wiredog
16 days ago

This was one I actually remembered some of. More the G’Kar parts than the Garibaldi ones. And it was much better than the telepath arc. Now there was some filler…

DemetriosX
16 days ago

Maybe the best way to sum this one up is as a good transitional episode. There are a couple of good character beats (G’Kar’s new status, the progression of Garibaldi’s alcoholism) and a major breadcrumb in the raider problem. But that’s it. It’s mostly a breather after what was supposed to be Byron’s shocking end.

Garibaldi’s fall off the wagon didn’t help, but I have a hard time seeing things turning out much differently if he’s been stone cold sober. The Drazi who killed Tafiq seemed to still be there when Garibaldi came out the door, so there can’t have been much time passed. And I don’t see how he could have done much better in his various fights.

Tafiq has to bear some of the blame, too. He was pretty well sozzled when he left. And even if he didn’t think there was any danger to his part of the job, he knew Michael was going to have some tense moments ahead. Getting the two of them massively drunk at that point was patently stupid.

Keith Rose
16 days ago
Reply to  DemetriosX

This was my thought as well. I remember Garibaldi’s failure as a direct consequence of his relapse but, watching it now, I don’t see it that way. I had thought I remembered that the signal came while he was still passed out, but it really didn’t seem like he could have gotten to the pilot any quicker if he was sober. Tafiq is responsible for the (bad) plan. Tafiq is the one who says he’s going to go make arrangements for the extraction, but gets drunk instead. For once, Garibaldi isn’t the reason this mission goes badly.

krad
16 days ago
Reply to  DemetriosX

If Garibaldi was on the wagon, he wouldn’t have had anything to drink, wouldn’t have passed out, and would have left with Azir. That would have changed the calculus of the assault.

—Keith R.A. DeCandido

Keith Rose
16 days ago
Reply to  krad

That wasn’t the plan. Garibaldi was supposed to wait for the signal. Tafiq was to leave alone to go make arrangements. Now, it is certainly possible that Garibaldi might have heard the shot and reacted faster, but he wasn’t supposed to be in the hallway when it happened.

krad
10 days ago
Reply to  Keith Rose

Also, if Garibaldi was on the wagon, he would’ve brought Franklin with him, which also would have changed the order of events somewhat.

—Keith R.A. DeCandido

Keith Rose
16 days ago

Minor quibble: the Drazi that Garibaldi tosses over the balcony doesn’t fall to his death. Or, if he does, some other Drazi in the same outfit climbs onto the balcony moments after Garibaldi leaves. This stuck out to me, because it seemed like a fairly implausible contrivance that has no obvious consequences. That scene seems to be there only to tell the viewer that it’s OK, Garibaldi didn’t kill that particular Drazi.

krad
16 days ago
Reply to  Keith Rose

You know, I totally forgot about the Drazi climbing back up. Mainly because, as you so rightly point out, it isn’t followed up on in any way, shape, or form.

—Keith R.A. DeCandido

ChristopherLBennett
16 days ago
Reply to  krad

Well, it was slightly followed up on, because the Drazi who climbs back on the balcony then shows up on the street after Garibaldi flees and reacts with frustration at the sight of the dead pilot. So presumably the idea was that he was a Drazi government agent who was upset that the pilot had been killed by somebody else, although his wordless reaction didn’t convey that as clearly as Garibaldi’s narrative later.

CriticalMyth
16 days ago

Without the telepath arc to manage, it feels like this is designed to set up the second half of the season. We get a lot of attention spent on G’Kar’s emerging role as a spiritual icon, Garibaldi’s alcoholism, and Franklin’s new job. We even get the beginning of the process of separating Londo from the rest of the governing council. Perhaps all that setting up for the future is part of why this feels like less than the sum of its parts, from a certain point of view.

I would agree with those who wonder if things would have ended any better if Garibaldi was stone cold sober. Maybe he would have heard the attack on Tafiq, but it still would have happened. I doubt he would have saved the pilot. The real difference might be within Garibaldi himself. Things might not have gone differently, but he may believe that he let the situation spiral out of control, and that self-blame will feed into his ongoing bender.

(One amusing moment: during his fight with the Drazi, the railing to the balcony visibly wobbles like crazy. I guess Drazi building codes leave something to be desired!)

My main issue with the episode is that Sheridan and the others accept the role of the Centauri so readily. They’ve already seen that somebody is planting evidence to muddy the waters and get everyone pointing fingers at each other. Why wouldn’t they assume the same of the Centauri? Especially when G’Kar points out that there is some kind of “outside” faction on Centauri Prime that could be implicated. I get the whole aspect of the “leak” and so forth, but just with the information they already have, wouldn’t it make more sense to read in Londo? He has additional information about unusual activity on Centauri Prime, after all, and G’Kar knows this.

On the other hand, this is perhaps another example (on top of Sheridan’s poor handling of the telepaths) of how the Alliance made some bad missteps early on. Had they involved Londo from the start, how could things have progressed differently?

fernandan
15 days ago
Reply to  CriticalMyth

I’ve watched this whole series multiple times, and the most memorable part of this episode has always been the wobbly balcony railing on the Drazi homeworld. The cheap sets is kind of a running theme – the famous balcony on Z’ha’dum ALSO wobbled noticeably during the pivotal jump, but not nearly as bad as this one.

Last edited 15 days ago by fernandan
ChristopherLBennett
15 days ago
Reply to  fernandan

Although I find a wobbly railing more plausible in a Drazi hotel than in the citadel of a super-ancient galactic power. In this case, it arguably enhances the scene, because it’s a fight where Garibaldi is in danger of falling to his doom, so having the balcony almost give way heightens the sense of peril.

th1_
15 days ago

it could have, but in reality it just looked super cheap.

ChristopherLBennett
15 days ago
Reply to  th1_

Well, that’s what I’m saying, that it might have been super-cheap in-universe too.

ChristopherLBennett
16 days ago

This wasn’t bad, but the one real standout moment is Marshall Teague’s superbly played speech to G’Kar about accepting that he has something to teach the Narn. Mainly, this struck me as a prime example of my perception of season 5 as a bunch of J. Michael Straczynskis talking to each other. Nearly every character speaks in the same way, answering simple questions with the same kind of sarcastic snark as every other character, or delivering extended monologues in the same way as every other character.

Speaking of monologues, it felt a little obvious that JMS wrote Garibaldi and Azir’s whole philosophical exchange about why Drazi cities traditionally have narrow streets as an apologia before the fact for the low budget requiring them to build a narrow street set. It was an attempt to rationalize it, but it just ended up calling attention to the issue. (Also, “The Drazi were originally an outdoor race?” Wasn’t everyone? Except for species that evolved in caves or something.)

I wondered why they didn’t show G’Kar slamming the book on the guy’s face, but just had a sound effect from offscreen. It’s not like it would’ve been graphically violent. But then I realized it was probably because slamming the book on the actor’s face for real would have damaged the Narn prosthetic.

cpmXpXCq
16 days ago

IA member worlds are boycotting the meetings! Meaning we don’t have to pay guest stars to play the ambassadors or for the alien makeup they would need, Delenn can just tell us what they’re thinking and feeling. On a rewatch, I really do admire the creative ways the show saved money. Obviously having Delenn be their mouthpiece isn’t ideal, but having 10 ambassadors to deliver pro forma “Protect our shipping lines!” dialogue wouldn’t have added much either.

ChristopherLBennett
16 days ago
Reply to  cpmXpXCq

Although they did spend a lot of money on Narn and Drazi makeup and guests/extras in this one, which I suppose is why they couldn’t spare the time or expense to do the council members. I was actually impressed at how many Narn extras they managed to make up, and seen close to the camera so that they had to be detailed makeups instead of the more simple masks that would be used for background extras.

Come to think of it, though, we didn’t see many Drazi, even in the scenes on the Drazi homeworld. It was mostly just the human contact and pilot, the Drazi assassin, and the hooded (Centauri) figures who killed the pilot. We did see a Drazi delivering room service, but it’s possible that was the assassin, though I couldn’t tell.

Eduardo S H Jencarelli

I wouldn’t call it inconsequential. I see it as more of a setup episode. It’s setting up how Garibaldi’s alcoholism will bite him in the back and jeopardize the greater picture yet again very soon. It also sets up Franklin’s imminent departure and G’Kar’s final arc, and it also provides that crucial piece of information to everyone in the room when Londo recognizes the Centauri disc – that was an excellent payoff with everyone smartly catching on to Garibaldi and keeping Londo in the dark.

That being said, there is not a lot of reason as to why the Garibaldi plot has to take place in the Drazi homeworld of all places. I believe JMS made this choice not for story reasons, but production reasons. At this point, Crusade was already under development, and presumably the production team needed to be sure they would be able to pull off being able to depict the Excalibur visiting strange new worlds every new episode like a Trek production – hence the highly elaborate VFX for the Drazi world and the hotel scenes. Using B5 as a testing ground to see how Crusade would play out in terms of budget and scope. B5 always had the benefit of being a station that’s also a hub for big events.

Ta’Lon’s return is always a welcome one, and G’Kar experiencing the classic case of an author losing control over his greatest work is a hoot, worth every laugh. Not to mention G’Kar’s slavish devotion to the Book of G’Quan has been one of the better long-running threads, going back all the way back to the early days. That he would craft a book able to rival the greatest Narn religious figure is a hell of a payoff.

Last edited 16 days ago by Eduardo S H Jencarelli
CriticalMyth
15 days ago

Your speculation regarding the production-driven choice to set the Garibaldi subplot on the Drazi homeworld is spot on. JMS admits exactly that in the script book commentary for this episode.

ChristopherLBennett
16 days ago

I guess that explains why we got that big “This is impressive” music cue for the shot of Garibaldi surveying the Drazi cityscape from his balcony, even though the cityscape was kind of drab.

krad
16 days ago

I didn’t say it was inconsequential, I said it felt inconsequential.

—Keith R.A. DeCandido

th1_
15 days ago

I think this was the first OK episode in this season…it’s really not great, but did not hurt to watch it at least, so it’s a huge upgrade. :)

strueb
13 days ago

I did notice that Garibaldi put up a token fight against his alcoholism when Azir offered him a drink and he initially said no. For all of about 30 seconds…He knows he’s debasing himself more and more. And the hurt he feels get very real when Azir is killed, and he knows he’s at least partially responsible. That’s a heavy weight.
I loved the “put your nose in the book”! G’Kar (and Mollari) make every scene better.
While I can synpathize with Sheridan’s frustration at “paperwork”, what did he expect as President of the IA? Gallivanting around the galaxy, engaging in derring-do?
Anyway, I agree – almost all of it (including Franklin getting his “excuse” to leave B5) was, on a scene-by-scene basis, good to very good. This was one of the better episodes of Season Five.
But…